free103point9 Newsroom

A blog for radio artists with transmission art news, open calls, microradio news, and discussion of issues about radio art, creative use of radio, and radio technologies. free103point9 announcements are also included here. free103point9 is a New York-based nonprofit arts organization focused on establishing and cultivating the genre Transmission Arts by promoting artists who explore ideas around transmission as a medium for creative expression. www.free103point9.org

Thursday, October 29, 2009

2010 Distribution Grant for NYS Artists. Guidelines & Application Distribution Grant


Deadline, Dec. 31, 2009

free103point9 is pleased to announce the 2010 Distribution Grant for New York State Artists providing support for the distribution of new works in film, video, sound, new-media, and media-installation. Funding is available from free103point9 through a regrant from New York State Council on the Arts' Electronic Media and Film Program. Grant awards will assist artists in making works available to public audiences and may include, but are not limited to: moving image and sound works; duplication of preview, screening and exhibition copies; promotional materials including documentation and schematics of media-installation and new-media works.

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Friday, October 31, 2008

FCC awards free103point9 3,300-watt FM station in upstate New York


The Federal Communications Commission awarded non-profit arts group free103point9 a license for a 3,300-watt non-commercial FM radio station on 90.7-FM last week.

The new station, with studios envisioned in Cairo, Catskill, and Hudson, will broadcast local musicians and artists, as well as community news, and programs about local schools, history, agriculture, the environment, and more. An online version of the station will launch early next year and provide community members an opportunity to get involved while the FM station is in progress. The online radio broadcast will also feature local town meetings, high school sports championships, as well as local performances, lectures, workshops, and a broad spectrum of creative radio or radio art programs. Many local events will also be broadcast live on the FM station.

"Community radio is a unique volunteer-based media format," said Catskill resident and media educator Aliza Dichter, "This station will be a way for us to both boost our local economy and celebrate the diverse cultures in our area. We can deal with serious issues, have fun, and build bridges across our towns and across the two counties."

"We want to give members of the community a chance to take the microphone, go on the air, and talk about what is going on in Greene and Columbia counties," says free103point9 Program Director Tom Roe. "This is a special opportunity for this area, and all the talented artists, hard-working activists, and unique personalities here to become the local media."

During the day the station will feature weekly and monthly programs on topics such as gardening, hunting, schools, arts, music, politics, and other issues important to the community. There will be programs by youth and for children. Evenings will feature DJs and live broadcasts from events all over the two counties. Late nights and Saturdays will be filled with international radio art, experimental music, and special local broadcasts. "The week before elections we want to give every local candidate the chance to go on the air and give listeners specific reasons to vote for them," Roe says.

Critical support from this project began in 2007 with interest from local agencies and community leaders; small donations from individuals and families across the region made it possible to conduct the initial legal and engineering work for the application. Planning for the radio station is now underway with leadership from a Community Council that includes Haines Fall's Dharma Dailey (Ethos Wireless); Hudson artist Max Goldfarb; Hosneara Kader (Hudson Family Literacy); Debra Kamecke (Cairo Public Library); free103point9's Tom Roe; Alan Skerrett (Columbia County NAACP); Hudson Talbot (Catskill Community Center); and Andy Turner (Cornell Cooperative Extension Agroforestry Resource Center). Aliza Dichter (Catskill Community Center), Galen Joseph-Hunter (free103point9) and Kaya Weidmann (Germantown Community Farm) have also provided crucial efforts and support for the station project.

Based in an area between the huge New York City media market to the south and the Capitol District to the North, the villages and rural communities of Greene and Columbia Counties have little in the way of local broadcast media, with only occasional coverage in regional news. As a valuable complement to our various daily/weekly town papers, this Greene Columbia community radio station will be a unique forum for discussions, news, culture, and emergency information across our two Counties.

Artists and activists lack a central network here for letting people know about their work. Live performances from local venues will sometimes be featured in the evenings on the online web streams and the FM radio station. "We are looking forward to collaborating with the many extraordinary organizations in our area, and providing an opportunity for their programs to be on the air," says free103point9 Executive Director, Galen Joseph-Hunter.

"We've spent the year since we applied for the station building relationships with cultural, civic, and economic groups across the listening area. Partnering with groups that are already providing important services to our community is a key part of our strategy for getting the most value to the community out of having a new radio station," says Dharma Dailey. "The station will support media literacy and media production for groups like the Catskill Community Center and the Agroforestry Center, as well as schools, libraries, and local businesses. We are also interested in working with other broadcasters and news outlets to improve news coverage throughout Columbia and Greene counties."

free103point9 is a non-profit arts organization focused on establishing and cultivating the genre Transmission Arts. free103point9 activities support and promote artists exploring the many forms of "radio art" including works about the idea of transmission or using the physical properties of the electromagnetic spectrum. free103point9's programs include public performances and exhibitions, an online radio station, the free103point9 Transmission Artists, an artist residency program, grant opportunities, a distribution label, a sculpture garden, and an education initiative including a study center and online archive. This FM station will be the first radio station in the U.S. to focus on radio art (many stations in Europe and Canada do).

free103point9 will webcast a performance by avant folk musicians MV & EE with the Golden Road and local musician Jeremy Kelly at 9 p.m. Fri. Nov. 7 at The Spotty Dog Books & Ale at 440 Warren St. in Hudson, NY, and will be giving out more information about the new FM station at the performance. Admission is $5.

Initial fundraising and planning for the station, which should be on the air in 2010, will begin this winter. A series of workshops to train citizen journalists and reporters are planned next year at the Cairo Public Library, Catskill Community Center, Germantown Community Farm, and other locations. Please contact Tom Roe at tr@free103point9.org or 518-622-2598 to get involved, or for more information.

More information:
http://free103point9.org/communityradio/

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Friday, September 12, 2008

Radio Festival NYC 2008


free103point9 presents a fall festival of radio art and experimentation presented during three nights and one afternoon featuring radio theater, poetics, presentations, and noise with live video web streams. Radio Festival NYC 2008 is produced in association with The Ontological-Hysteric Incubator.

Radio Theater
Thursday, October 16, 8 p.m., free admission
31 Down
Japanther
Part of Free Night of Theater 2008

Radio Poetics
Friday, October 17, 8 p.m., $7-10 sliding scale.
Curated by Danny Snelson.
With Alexis Bhagat (free103point9 Transmission Artist)
Kareem Estefan (Host of 'Ceptuetics, an avant-garde poetry show on WNYU.)
and others.

Radio Talks
Saturday, October 18, 2 p.m., free admission.
Artist Presentations from Judy Dunaway and Laura Vitale.

Radio Noise
Saturday, October 18, 8 p.m., $7-10 sliding scale.
Neg-Fi
Noveller
Tom Roe
Twisty Cat: Ed Bear + Lea Bertucci + Tianna Kennedy

Performance and Presentation Details:
Radio Theater
Thursday, October 16, 8 p.m., free admission

31 Down radio theater: "An eye doctor and his assistant become lab rats in their search for xray vision through experimental eye drops."

Japanther: "It's not like they haven't the feigned art-world legitimacy of the "experimental" tag—they once composed a live puppet opera that later ended up as the basis of a video piece in last year's Whitney Biennial—but they also have a sense of humor. As in: their fist-pumping singalong, "River Phoenix." As in: they once bashed out this Young Indy ode while synchronized swimmers calling themselves Aquadoom splash-kicked in time with the beat." -- The Village Voice.

Radio Poetics
Friday, October 17, 8 p.m., $7-10 sliding scale.

Curated by Danny Snelson.

With Alexis Bhagat: free103point9 Transmission Artist.

Kareem Estefan: Host of 'Ceptuetics, an avant-garde poetry show on WNYU.

and others.

Radio Talks
Saturday, October 18, 2 p.m., free admission.

Judy Dunaway will present Sex Workers’ Internet Radio Lounge (S.W.I.R.L.). Connected to the idea of “O-ton,” radio artists in 1970’s Germany who recorded and edited the voices of workers and prisoners to be aired on state radio programs, sound artist Judy Dunaway founded “Sex Workers’ Internet Radio Lounge” (S.W.I.R.L.) a not-for-profit 24/7 webstream of audio art and activism by sex workers. The stream was broadcast from January 2007 to May 2008. It featured stories, poetry, interviews, speeches, panel discussions, original music, and other audio art created by current and former sex workers. In August 2008 SWIRL was converted to an audio archive, which may be accessed at: http://www.jeweltone16.org/swirl/

Artist Laura Vitale will present works that illustrate her exploration so far of literary, painterly, and musical themes in radio. She will also play works from which she has drawn inspiration.

Radio Noise
Saturday, October 18, 8 p.m., $7-10 sliding scale.

Neg-Fi: Minimalist metalloid duets played with severely detuned guitars and walkie talkies.

Noveller: Utilizing the pick-ups on her double-necked guitar, Noveller will explore the interaction between the stringed instrument and several electronic devices, including a hand-held radio, a tape player, and ebows.

Tom Roe: Performs with walkie-talkies, scanners, FM radios, and other receivers and transmitters, to craft noisescapes that sample pop culture.

Twisty Cat: Ed Bear + Lea Bertucci + Tianna Kennedy


Oct. 16, 2008 – Oct. 18, 2008

Ontological Theater
St. Mark's Church-in-the-Bowery
131 E. 10th St.
Manhattan, NY 10003
United States
212-533-4650

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Wednesday, September 10, 2008

Conflux curator spotlight: Tianna Kennedy

From Conflux blog:
Tianna Kennedy is a Brooklyn, New York-based cellist, sound and transmission artist, curator, events coordinator, adjunct professor, writer, and the NYC Program Director of free103point9, a non-profit transmission arts organization. Kennedy churns out events like an event-churning machine with the help of fellow activists, artists, and friendly art organizations and is herself an active artist and cellist performing and showing locally and internationally. Kennedy co-founded the August Sound Coalition in 2004 and the Empty Vessel Project in 2005. Kennedy designed and taught “Radio Culture” and “Sight, Sound, and Motion” at Brooklyn College and has a MA in Performance Studies from NYU. Listen to an interview with Tianna Kennedy from Conflux 2008 Podcast #5 here.

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Saturday, August 02, 2008

Radio Action III CD release at New Museum


Performances from: Damian Catera, Melissa Dubbin and Aaron S. Davidson, The Dust Dive & Latitude Longitude, Joshua Fried & Todd Merrell, Tianna Kennedy, LoVid with Howard Huang, Tom Roe, and others at 7:30 p.m. Thu. Aug. 7 at the New Museum in Manhattan. Attendees will receive a complimentary copy of Radio Action III with admission. Join free103point9, in collaboration with Radio Web MACBA, Barbara Held and Pilar Subirá, for a live performance celebrating Radio Action III, an online radio program produced for RWM and the next free103point9 Audio Dispatch CD Release. Radio Action III features 12 five-minute soundworks conceptually tied to the idea of "radio" as an instrument or theme, composed by free103point9 transmission artists working in collaborative teams. RWM is a radio-phonic project on the Museu d'Art Contemporani de Barcelona (MACBA) website that explores the possibilities of the internet and radio as spaces of synthesis and exhibition. 7:30-9:30 p.m. Live web stream at www.free103point9.org. CD cover photo by David LaSpina.

Radio Action III track listing:
01 The Dust Dive & Latitude/Longitude, "PARTY COVE"
02 radio_ruido and ben owen, "Dandelions (c/clocked)"
03 LoVid & Michelle Rosenberg, in collaboration with Howard Huang, "Ring in the New"
04 Tom Roe & Scanner, "Airscape"
05 Damian Catera, "deComposition USA"
06 Joshua Fried & Todd Merrell, "Pistol Shrimp"
07 neuroTransmitter, "Chronicle"
08 Anna Friz & Tianna Kennedy, "When radios sleep what dreams may come"
09 Michelle Nagai, in collaboration with Kenta Nagai, "Sleep Radio"
10 Melissa Dubbin & Aaron S. Davidson, "You Love Me Truly"
11 31 Down & Matt Bua, "Wireless Electric Chair"
12 Alexis Bhagat & Sophea Lerner, ".00011574 Hz"

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Wednesday, June 11, 2008

Radio activity

From Marisa Olson in Rhizome:
You may have read about free103point9 here, before. At Rhizome, we maintain a high esteem for this pioneering organization serving the field of "transmission arts," and we've fortunately been able to collaborate with them on projects in the past. In many ways, our missions overlap, as our organizations grew out of a desire to support emergent and often immaterial practices. Free103point9's founders situate their vision of the field in an evolutionary framework, looking at how broadcasting and transmission grew out of shared trajectories with net art, video art, mail art, and other creative forms of distributed communication. The organization frequently teams up with other institutions to take this message on the road and increase exposure for the work of transmission artists. Their newest collaborative project is both a show and a recording, co-presented by the Museu d'Art Contemporani de Barcelona, in their Radio Web program (RWM). This curatorial initiative "is a radio-phonic project from the MACBA's website that explores the possibilities of the internet and radio as spaces of synthesis and exhibition." This self-reflexive approach to presentation is also inherent in the free103point9 show, entitled "Radio Action III," which takes up "radio" as both its theme and its delivery vehicle. Fifteen artists collaborate to present five-minute tracks inspired by this important device, and a bit of surfing of the artists' profiles on free103point9 will assure you of their diversity, ranging from site-specific sound manipulation to interventionist broadcasts. The recordings are the newest CD to be released in free103point9's Dispatch series and the album will premiere at an event at the New Museum of Contemporary Art on August 7th. Meanwhile, it will be streaming online at RWM from June 18 - August 30. Be sure to tune-in. (CD cover photo by David La Spina.)

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Thursday, May 01, 2008

Transmission art archive

free103point9 is mapping a genealogy of artists, works, questions, and definitions in support of the genre "transmission arts." Artists are encouraged to self-identify their work within the context of transmission art practices. The resulting resources online and at the Wave Farm Study Center will provide extensive reference materials to artists, curators, students, and academics researching contemporary and historical practices in Media Art and Experimental Sound with respects to the topic of transmission. Click here to add your transmission art work to the archive.

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Sunday, March 30, 2008

Distant stations and home entertainment hi-jinks

Week Two of BYOTV welcomes Brooklyn, NY’s free103point9 into the airspace with a collection of works from their affiliated transmission artists! Founded in 1997, free103point9 is a nonprofit arts organization focused on establishing and cultivating the genre Transmission Arts. This genre encompasses a diversity of practices and media working with the idea of transmission or the physical properties of the electromagnetic spectrum. Several transmission artists are featured in this week of BYOTV, expect exciting orchestrations of/in the electromagnetic environment! From shortwave symphonies in Tom Roe’s Snowstorm and Todd Merrell’s analog elegy The Last Transmission to Tianna Kennedy and Chad Laird’s Frankensteinian foray 18 19 20, LoVid’s CCRT Transcontinental Streaming Performance and other works, these transmissions are high-intensity!

Also! eClECTiC ELeCTRoNiCs!! On Saturday April 5th, 7pm and FREE!!

The Video Gentlemen will host their first “in-studio” event as part of BYOTV. A live showcase entitled Eclectic Electronics, this event will unfold in real-time. Improvisation and suspense await…anything could happen! Bring your own TV or use one in the gallery to tune in to the broadcast! Audience members can call-in to ask questions! The guests this eve are the audio-visual artists behind such local and regional acts as Instinct Control, Disjunct and Warning Broken Machine. Tonight, unfathomable televisual trajectories are explored as home entertainment systems are turned inside out, short-circuited and rewired to reveal new audio-visual capabilities. Pursuing circuit-bending and other vernacular electronic arts, Portland’s Ryan Dunn, Eugene’s Don Haugen and special guests engage in discussion and demonstration of these curious pursuits

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Wednesday, March 26, 2008

Off the Grid


March 30, 2008 – June 1, 2008
at Neuberger Museum of Art
Purchase College, SUNY
735 Anderson Hill Road, Purchase, NY 10277
http://www.neuberger.org/

Off The Grid features contemporary works which formally and/or conceptually challenge conventional and commercial infrastructures.

Checklist of exhibited works:

Matt Bua
World Grid – Square World, 2008
ink, collage, paint, pencil on paper
39 x 63 1/2 inches
Courtesy of the artist and Derek Eller Gallery, New York.

Benjamin Cohen, Dylan J. Gauthier, and Stephan von Muehlen
Mare Liberum, 2008
blueprint, distributed broadsheet, boat
broadsheet: 24 x 36 inches, boat: 12 feet
Courtesy of the artists.

EcoArtTech: Christine Nadir and Cary Peppermint
Environmental Risk Assessment Rover - AT, 2008
solar panels, recycled shipping pallets, industrial garden wagon, video projector, MAC-mini computer, GPS, WiFi, found built and natural surfaces
Courtesy of the artists.

eteam International Airport Montello, 2007-08
three-channel projection, map, figures, photographs
Courtesy of the artists.

Max Goldfarb
Ambulant Transceivers, 2008
vintage first-aid kits made into two-way radios
Courtesy of the artist.

Louis Hock
Nightscope Series, 1985-2003
digital pigment prints
17 x 24 inches each
Courtesy of the artist.

Louis Hock
Feral, 2004
two-channel video installation
sound: Louis Hock and Peter Otto
Courtesy of the artist.

Nina Katchadourian
Quit Using Us, 2002
c-print mounted on aluminum
18 x 96 inches
Courtesy of the artist and Sara Meltzer Gallery.

Nina Katchadourian
Ant Static, 2003
video loop with sound
Courtesy of the artist and Sara Meltzer Gallery.

Kristin Lucas
More Melting, 2008
wax, wick, fire
Courtesy of the artist.

Joe McKay
Hi Hat Phone, 2007
cell phone, high hat stand, wood, speakers
Courtesy of the artist.

Trevor Paglen
Workers / Las Vegas, NV / Distance – 1 mile, 2006
from the series Limit Telephotography
video
Courtesy of the artist and Bellwether Gallery, New York.

Trevor Paglen
Chemical and Biological Weapons Proving Ground / Dugway, UT / Distance – 42 miles /
10:51 a.m., 2005
from the series Limit Telephotography
C-print, 3 from an edition of 5
50 x 50 inches
Courtesy of the artist and Bellwether Gallery, New York.

Trevor Paglen
Unidentified Light Source / Cactus Flats, NV / Distance – 17 miles / 9:45 p.m., 2007
from the series Limit Telephotography
C-print, 1 from an edition of 5
30 x 36 inches
Courtesy of the artist and Bellwether Gallery, New York.

Temporary Services
Personal Plastic, 2007
photocopied and offset publications, mounted photographs, banners made from plastic
bags, unwanted plastic bags
Courtesy of the artists.

Seth Weiner
Cryptographic Payphone, 2008
interactive payphone, chaotic motion system
63 x 15 x 10 inches
Courtesy of the artist.

Bart Bridger Woodstrup
Gathering Lore, 2008
computer, custom video software, electronic sensors, weather
Courtesy of the artist.


Co-presented by the Neuberger Museum of Art and free103point9. Curated by Jacqueline Shilkoff (Neuberger Museum) and Galen Joseph-Hunter, Tianna Kennedy, Tom Roe (free103point9).

Curators’ Statements

Has humankind’s irresponsible production and consumption of energy and resources reached its peak? While regulatory agencies scramble to meet and control the demands of a wireless-obsessed market, a burgeoning urgency about the need to be ecologically responsible has emerged. Off The Grid presents work by thirteen artists examining and reacting to these currents. Works on view propose alternate territories. They repurpose, reuse, and recast communication devices, consumer byproducts, and environmental data. Our culture has long relied on creative practice to invent, innovate, and inspire. Here, the participating artists do so with works that inform, alarm, and entertain.
– Galen Joseph-Hunter

Most of us live, work, and play on the grid. The artists in Off The Grid do not present utopian solutions to complex problems (unsustainability, overconsumption, waste, alienation), but rather invite us all to reinvent, reimagine, and subvert our daily practices through accessible work completed on a human scale. I've enjoyed my conversations with the artists in this exhibition and have been reminded that cultural gridlock is best addressed not with sweeping gestures and apocalyptic arguments, but by working within, around, and perhaps a little outside expectations of art and engagement.
-Tianna Kennedy

The grid is a shifting network of power, distributing social, ecological and intellectual resources. Individuals have agency to engage or withdraw, privatize or empower, collude or disclose. By reevaluating what resources exist and how they are allocated, we redefine our collective identity and personal ideology. It is hopeful that art as activism, as intervention, can produce awareness and change.
-Jacqueline Shilkoff


For more information see:
http://www.free103point9.org/events/1678/



((((( ECOARTTECH EVENTS FOR OFF THE GRID )))))

March 27, 2008: 7 p.m. – March 29, 2008
at Neuberger Museum of Art
Purchase College, SUNY, 735 Anderson Hill Road, Purchase, NY 10277
http://www.neuberger.org/
http://www.ecoarttech.net/

Thursday, March 27
Friday, March 28
Saturday, March 29
Meet at the Neuberger Museum of Art at 7 p.m.

Join EcoArtTech (Christine Nadir and Cary Peppermint) for three evenings of performances with the Environmental Risk Assessment Rover–AT (ERAR–AT), a mobile, solar-powered, networked video installation that will accumulate and aggregate the environmental threats and risks that Purchase residents face everyday.

What kind of environmental risks does Purchase face? How far is the closest superfund site or nuclear power plant or agribusiness? How do the 148 industrial chemicals already in every American human body interact with the synthetic hormones and antibiotics in the dairy products we eat? How many chemicals are in human breast milk? How do the chemicals in your toothpaste interact with the pesticides on your food? Why has modernity, which was supposed to create a sense of security, produced more anxiety and threats than ever? Can scientific data and research help us understand the “riskiness” of contemporary life?

ERAR-AT performs the difficulty of perceiving, evaluating, and understanding risk scenarios and presents an assessment of its given locale by producing a unique fourteen-tiered threat level embedded live within video projections onto local natural and architectural surfaces.

“Sooner rather than later, one comes up against the law that so long as risks are not recognized scientifically, they do not exist--at least not legally, medically, technologically, or socially, and they are thus not prevented, treated or compensated for. No amount of collective moaning can change this, only science. Scientific judgment's monopoly on truth therefore forces the victims themselves to make use of all the methods and means of scientific analysis in order to succeed with their claims.”
—German risk theorist Ulrich Beck

For more information see:
http://www.free103point9.org/events/1906/



((((( OFF THE GRID: LIVE PERFORMANCES )))))

April 2, 2008: 4 p.m. – 8 p.m.
at Neuberger Museum of Art
Purchase College, SUNY, 735 Anderson Hill Road, Purchase, NY 10277
http://www.neuberger.org/

Curated by: free103point9. In conjunction with the exhibition Off The Grid, April 2 will feature a day of live performances by artists whose work subvert and circumvent conventional infrastructures.

4 p.m.: Radio 4x4
Four performers -- Joshua Fried, Matt Bua, Alexis Bhagat, and Tom Roe -- perform into four transmitters with performances transmitted to radios throughout the performance area. Audiences are encouraged to walk among the radios, "mixing" the collective and individual improvised performances. For this Radio 4x4, performers will all use battery-powered equipment, and all transmitters and radios will also not be plugged in. Brief explanation and discussion of Radio 4x4 with the artists after performance.
http://www.free103point9.org/transmissionprojects/

4:45: Joshua Fried, Radio Wonderland.
Fried performs his "Radio Wonderland" show with a car battery.

5:30 p.m.: Jeff Stark, Secret Dinner
The Secret Dinner project is just that. The dinners are collaborative and they happen in clandestine spaces. The first was in a grain elevator in Red Hook, Brooklyn, in 2006, and we lowered a singer into an echoey steel silo. The second was the site of the 1964 World's Fair in Queens, where we suspended an aerialist from the massive steel Unisphere. And at the third, we ate in the Freedom Tunnel, under Riverside Park in Manhattan. The Secret Dinner project was influenced by Dark Passage, a group of New York explorers, and the Suicide Club, a long defunct group of San Francisco pranksters. The project is a reaction to a culture of permission, including expensive venues, city permits, and institutional funding. It reminds participants that the most important thing is doing the thing, and that it's possible to create work that compromises only to logistics. This talk will feature gorgeous photos by Tod Seelie that document the project.

6:15 p.m.: Matt Bua.
Artist talk.

Sunrise to Sunset:
Mare Liberum workshop. Mare Liberum Sunup-Sundown Build A Boat Workshop: Benjamin Cohen, Dylan Gauthier, and Stephan von Muehlen will construct a 12' Grand Banks dory over the course of a day using materials salvaged from construction sites, basic tools and old-time intuition. The artists will be available to discuss the project over pauses for lunch, afternoon tea and dinner.

Earlier in the day:
There will be a Kites are for Peace exhibition. Kites are For Peace and Love is a one-day social engagement with the surrounding Westchester community. It is an open invitation to come together to make and fly kites in the wind and sun, all the while keeping in mind that the same wind power that fuels a kite, can also generate our electricity. Information will be on site relating to simple and effective ways that we as individuals can make a substantial difference in the path toward environmental sustainability. In addition, there will be kite-making workshops held at the Neuberger Museum of Art leading up to the event. This event is organized by John Daquino.

For more information see:
http://www.free103point9.org/events/1860/


For more information about all the "Off the Grid" shows, see:
http://www.free103point9.org/

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Tuesday, March 18, 2008

AIRtime residencies


free103point9 defines “Transmission Arts” as a conceptual umbrella that unites a community of artists and audiences interested in transmission ideas and tools. This genre encompasses a diversity of practices and media working with the idea of transmission or the physical properties of the electromagnetic spectrum. Transmission art is generally a participatory live-art or time-based art, and often manifests as radio art, video art, light sculpture, installation, and performance. The annual AIRtime application deadline is April 1.

The AIRtime residency program provides artists with valuable space in which to concentrate on new transmission works and conduct research about the genre using free103point9's resource library and equipment holdings. Ten residents are selected from an open application process each year. The residencies take place at free103point9's Wave Farm, a retreat-like setting on 30 acres in upstate New York.

AIRtime residents present their work on free103point9 Online Radio during their stay. free103point9 shares resources regarding preservation and archiving models with our residents. Artists are encouraged to archive recordings and other reproducible media with the free103point9 Study Center collection.

SCHEDULE AND FEES
Ten artists (or collectives) are selected from an open application each AIRtime season. Residency durations are flexible based on the schedules of participating artists, but typically last one week. The program is active July - October. Residents are provided with a stipend of $200. Groceries and meals are provided by free103point9 as well as local transportation for supplies. One resident is on-site at a time. Both program directors are available on site during the residencies for technical assistance and critical feedback. Artists are required to archive completed works related to their residency with the study center research collections.

For more information see:
http://www.free103point9.org/airtime/

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Friday, March 07, 2008

Anna Friz


From Grammerfight:
This month, I'm featuring one of my favorite women sound artists each week. This week, it's Anna Friz. Friz is a sound and radio artist who divides her time between Toronto and Montréal. From the childhood fiction of "the little people in the radio" to documentary remixes of live political events, she creates dynamic, atmospheric works equally able to reflect upon public media culture, urban soundscapes, or to reveal interior landscapes. She has performed and exhibited installation works at festivals and venues across North America, Europe, and in Mexico. Her radio art/works have been commissioned by national public radio in Canada, Austria, Germany, Danmark and Mexico, and heard on independent airwaves in more than 15 countries. Anna also designs and composes sound for live theatre and dance. Anna Friz is a free103point9.org transmission artist.

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Sunday, February 24, 2008

Radio Territories


free103point9 recently started distributing other Artist Multiples, and Radio Territories (edited by Erik Granly Jensen and Brandon LaBelle) is among the first. A book and CD with critical and creative essays by historians, media theorists, and radio producers, including Steve Goodman, Heidi Grundmann, Douglas Kahn, Mikkel Bolt Rasmussen, and Ellen Waterman, are coupled with artistic and activist projects, from such practitioners as Anna Friz, LIGNA, and apo33, with a view toward locating the expanding and deepening reach of radio. Presupposing an intrinsic relation between transmission and place, Radio Territories aims to examine in what ways physical and cultural geographies become both defined and unsettled by the powers of broadcast. Including additional contributions by Kabir Carter, Sophie Gosselin/apo33, Erik Granly Jensen, Brandon LaBelle, Sophea Lerner, elpueblodechina a.k.a. Alejandra Perez Nunez, Kate Sieper, James Sey, neuroTransmitter, Marie Wennersten / SR c, and Achim Wollscheid. With audio works by apo33, Joe Banks, Steve Bradley, John Hudak and Joe Resinsel, elpueblodechina, Anna Friz, Jason Kahn, Kode9, Kristen Roos / Jackson 2Bears, SR c, Ellen Waterman, and James Sey / James Webb. $25 U.S./$28 foreign.

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Thursday, February 21, 2008

AV Festival 08


AV Festival is an international festival of electronic arts featuring visual art, music, and moving image. A biennial event, the festival takes place in Newcastle, Gateshead, Sunderland and Middlesbrough in the North East of England between 28 February - 8 March 2008 and has the theme of "broadcast." AV Festival 08: Broadcast consists of over 120 events, exhibitions, concerts, performances, conferences and workshops at many venues across the three urban centres of the North East. It features the participation of artists such as Chris Watson, Joyce Hinterding, Harun Farocki, Marcus Coates, Marko Peljhan, :zoviet*france:, Atau Tanaka, Autechre, People Like Us, Broadcast, Jean-Jacques Perrey, Resonance FM, Zoe Irvine, Brian Duffy, Disinformation, Ryota Kuwakubo, Staalplaat Soundsystem, BBC Radiophonic Workshop, Yuko Mohri, Knut Aufermann and many others. Several performances will be broadcast on Resonance FM in London. Festival includes online radio performances from free103point9 Transmission Artists Joshua Fried March 5, 9 a.m. EDT, -5 GMT) and Tom Roe (March 6, 5 p.m. EDT).

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Monday, February 18, 2008

BYOTV


From The Video Gentlemen:
"Late March 2008, The Video Gentlemen’s BYOTV network launches a six-week season of special reports engaged with technocultural turnover from analog airwaves. Transmitted from within the New American Art Union, a variety of interdisciplinary artworks, live presentations, and workshops form inquisitive constellations around topics including e-waste, surveillance, haunted media and media archeology. Low-wattage transmissions emanate from an array of re-configured electronic detritus distributed around the gallery. Telecommunications, and the distance implicit in its operation is countered by a physical proximity prescribed by the limited range of the BYOTV transmissions. Visitors are encouraged to “bring their own TV,” or borrow one from the gallery, intercepting transmissions from their immediate airspace. Closely scrutinizing the premise of obsolescence, BYOTV tunes into an alternative agenda, encouraging new modes of cultural production, collaboration and exchange."


free103point9 is pleased to contribute a program of works for the Video Gentlemen’s BYOTV exhibition at the New American Art Union in Portland, Oregon.

Artists contributing work to the free103point9 curated program include 31 Down, The Dust Dive, Tianna Kennedy + Chad Laird, LoVid, Todd Merrell, ben owen + Sarah Margaret Halpern, ben owen + Justin Lincoln, and Tom Roe. You can watch and listen to the works from these free103point9 transmission artists here. Tianna Kennedy and Chad Laird's "18 19 20" via YouTube is below.

Show is March 19, 2008 – April 27, 2008 at New American Art Union, 922 SE Ankeny St., Portland, OR.

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Friday, February 15, 2008

Four crazy radio concepts to celebrate National Inventor's Day





From Addy Dugdale in Gizmodo:
Today is National Inventor's Day, in honor of Thomas Edison, and Giz is going to celebrate it with some designs from the Work In Progress show by students at London's Royal College of Art. There are no less than four concept radios in the show, including this one by Mikael Silvanto, which melds a slide rule with an iPod-esque analog radio. The other three, including one which uses QR codes to hook up graffiti artists with pirate radio stations, are below.

Yuri Suzuki's design uses a Post-It pad to mark out the frequencies of pirate radio stations that caught her ear while living in North London. "My radio enables you to make notes about the radio station and mark its position," she says. "The radio looks like a memo pad, but underneath is a speaker; the pencil acts as the antenna that controls tuning and volume."

Yuri feels there is a connection between graffiti artists and pirate radio stations, as both are art forms that hack into public spaces. Her Future Pirate Radio lets you tune into pirate radio via QR codes. First, the graffiti artist stencils a QR code onto the wall, incorporating it into their work. Anyone who takes a picture of the graffiti will then be able to tune into the pirate radio station that inspired the artist via the internet.

Finally, Jochem Faudet's work consists of a pair of radios whose controls are grouped together in order to make it easier to use. Actually, it's rather complicated, so here's Jochem's own explanation:
"Radio 1: All the tuning and volume functions are grouped around the speaker. The On/Off switch and volume function is situated closest to the speaker. The AM/FM switch is situated at the end of the tuning circle, by flicking the switch down it points to the FM numbers situated on the outside of the circle or by flicking the switch up it points to AM numbers on the inside of the tuning semi-circle.

"Radio 2: The tuning function and volume function are separated from each other in this concept. To adjust the volume one has to turn the wheel with the integrated speaker, by sliding the AM/FM switch to FM it hides the frequencies of the AM and vice versa."

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Friday, February 08, 2008

Marievel Knievel YouTube video from Wave Farm performance

Below is Marievel Knievel's remix of a video Joe Milutis shot of her performance at Tune(Out)))side at Wave Farm. "I synched up the live (pre-transmitter) audio I recorded at Tune(Out)))side this past summer with the video he took of my performance that day," she writes. Click below to watch YouTube video:

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Thursday, February 07, 2008

free103point9 spring Radio Labs in NYC


free103point9 is pleased to announce several public Radio Lab workshops providing participants with technical skills and historical/theoretical grounding pertinent to transmission media in hopes of fostering creative expression within and with the transmission spectrum. All workshops will have audio and video streamed live on the free103point9 website for those who cannot attend in person. More information: http://free103point9.org/radiolab/

The spring 2008 Radio Lab program is made possible, in part, by the New York City Department of Cultural Affairs, and the Brooklyn Arts Council JPMorgan Chase Regrant Program. For more information about free103point9 and its programs in New York City and upstate New York please vist: www.free103point9.org


Grassroots Media Conference
Sunday, March 2, 2008. Hunter College, Manhattan

The NYC Grassroots Media Coalition is working to re-imagine issues of access to, control of, and power over our media system. On the occasion of the fifth-annual GRMC. free103point9 is pleased to present a Radio Lab workshop about using Open Source software to integrate telephony into radio, web and e-mail applications lead by Lee Azzarello and Ryan Holsopple. In addition, free103point9 will air live webstreams of many of the workshops at the NYC GRMC. Conference schedule and registration information: http://nycgrassrootsmedia.org
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Transmission Tools for Artists
Monday, March 10, 2008. 7-9 p.m. 338 Berry St., Brooklyn

Lead by Tom Roe and Sarah Halpern, this workshop will cover an introduction to transmission tools and practices, as well audio and video streaming applications. Artists intersted in informing their works with transmission tools and practices can get practical advice on how to use antennae, transmitters, and other devices. Free admission and live video web stream at www.free103point9.org.


What is Transmission Art?
Monday, April 14, 2008. 7-9 p.m. 338 Berry St., Brooklyn

Join Tianna Kennedy, Galen Joseph-Hunter, and Alice Planas for an introduction to the free103point9 Transmission Art Archive project. This archive will serve as a resource for practicing artists to identify their works within the context of an emerging community of Transmission Art and provide an extensive resource to artists, curators, students, and academics researching emerging practices in Media Art and Experimental Sound with respects to the topic of transmission. Free admission and live video web stream at www.free103point9.org.


Artist/Activist Seminars
Monday, May 12, 2008. 7-9 p.m. 338 Berry St., Brooklyn

Join reprentatives from free103point9, August Sound Coalition, The Change You Want to See Gallery, and others for a seminar focused on spectrum use for artistic and activist projects. Participants will have the opportunity to discuss independent project ideas and organize future support networks to assist in seeing their ideas to fruition. Free admission and live video web stream at www.free103point9.org.

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Wednesday, February 06, 2008

free103point9 Transmission Art Archive


A participatory online initiative toward defining the genre.

The winter months are a time for self-reflection: it is sometimes useful to pause and ask, "what does it all mean, anyway? Who am I, what is it that I am doing, and, for that matter, what motivates my activities," so that you might then face the spring with renewed purpose and vigor (at least until the e-mail piles up).

Well, here at free103point9, we're also taking a self-reflexive moment to consider such questions; only, 'we' are, for the most part, 'you,' and we need your help. As a reminder, free103point9 is a non-profit arts organization focused on establishing and cultivating the genre Transmission Arts. free103point9 activities support and promote artists exploring transmission mediums for creative expression. free103point9 defines "Transmission Arts" as a conceptual umbrella that unites a community of artists and audiences interested in transmission ideas and tools. This genre encompasses a diversity of practices and media working with the idea of transmission or the physical properties of the electromagnetic spectrum. Transmission art is generally a participatory live-art or time-based art, and often manifests as radio art, video art, light sculpture, installation, and performance.

New technologies constantly emerge as mediums for artistic practice and thus, bring forth a reconsideration of terms and redrawing of territories. RFID, WiFi, WiMAX, networked objects, reactive spaces, distributed actions, and psycho-geographic interventions are amongst a few contemporary artistic strategies and technologies that touch the borders of what once encompassed free103point9's scope for "Transmission Arts." Furthermore, there is always room for stretching non-technological conceptual definitions of "Transmission Arts.”

In light of such ongoing developments, free103point9 recognizes the need to engage a practice of inquiry that reaches beyond it's own organizational limits of understanding. We are inviting practitioners and supporters involved with transmission ideas and activities to expand or challenge our articulation of Transmission Arts. Please help us expand our practices and galvanize our community by taking a few minutes to share your experience with us. The project is outlined below.

Thank you for your time and your contributions to this exciting project!!
Congenially,
the free103point9 staff:
Galen Joseph-Hunter, Tianna Kennedy, Tom Roe, Lee Azzarello, and Sarah Halpern. Also Alice Planas, our wonderful volunteer whose efforts helped jumpstart this initiative.

P.S. A quick reminder that free103point9 is currently accepting applications for the AIRtime Residencies (deadline April 1, 2008) at Wave Farm. To apply http://www.free103point9.org/airtime/

Project Description: free103point9 Transmission Art Archive

free103point9 is in the process of building an archive identifying contemporary works within the genre of Transmission Arts.

This archive will serve as a resource for practicing artists to identify their works within the context of an emerging community of Transmission Art. Additionally this archive can aid the work of curators and scholars researching emerging practices in Media Art and Experimental Sound with respects to the topic of transmission. The Archive Project will be structured in two tiers:

1. The first tier will be a collection of primary source material contributed by and consisting of works from contemporary practicing artists, self-identified as working with topics related to transmission. We are inviting contemporary artists whose practice addresses transmission in form, content, or strategy to contribute examples of their work to this archive. Rather than wait for the definitions to be coined by theorists and historians, we ask that practicing artists self-identify with or challenge our existing notion of transmission with your work. Tell us about your work, how it relates to Transmission Arts, and how you respond to this term.

To submit your work for inclusion in free103point9's archive of Transmission Arts (contemporary artist and works), please submit the following text to archive@free103point9.org with a subject header (Transmission Works) by the deadline March 15, 2008:
• Artist statement and links/documentation to specific works with titles and description of works. (500 word max)
• A response to, or definition of, the term "Transmission Arts.” (500 word max) Historical works and artist cited as influences. (500 word max)

2. The second tier of this archive will seek contributions from artist, curators, writers, and researchers to reflect, critique, consider, and respond to specific issues and topics related to transmission. We are inviting artists, scholars or curators working with New Media, Sound, Performance, Inter-media, Conceptual Art, Video, Installation, Social Activism, or Collective Strategies to identify artists (historical or contemporary) relevant to a discussion of Transmission Arts and to interject and engage in a larger discussion on Transmission Arts as a genre.

To learn more about this conversation, please submit a short bio (300 word max) with a general inquiry to archive@free103point9.org subject heading (Transmission Arts Discussion) by March 15, 2008.

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Monday, January 14, 2008

Off The Grid



Off The Grid
03.30 - 06.01.08
Neuberger Museum of Art, Purchase, NY.

Off The Grid will feature works that subvert and circumvent conventional infrastructures and are interested in alternatives to corporate and commercial applications and proprietary refinement of communication technologies. Installations will be on view inside the Neuberger Museum of Art and across the SUNY Purchase College campus and include works by Matt Bua; Brett Bloom; Benjamin Cohen, Dylan J. Gauthier, and Stephan Stanford; ecoarttech; eteam; Max Goldfarb; Tovey Halek and Madalyn Warren; Louis Hock; Nina Katchadourian; Kristin Lucas; Joe McKay; Trevor Paglen; Seth Weiner; and Bart Woodstrup.

Co-presented by the Neuberger Museum of Art and free103point9. Curated by Jacqueline Shilkoff (Neuberger Museum) and Galen Joseph-Hunter, Tianna Kennedy, Tom Roe (free103point9).

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Saturday, January 05, 2008

More free103point9 videos on YouTube

Looks like Joe Milutis has been busy uploading more videos from Wave Farm performances:

Stars Like Fleas forest performance at Wave Farm, 2006. Filmed with Vidster cam.



Bryan Zimmerman of The Dust Dive performs from pond at free103point9 Wave Farm. Filmed with Vidster.



"Car Harp" installation at Wave Farm Radio Festival 2006 by Lily Gottlieb-McHale. Filmed with Fisher-Price Vidster Camera.



"Sing Sun Room" Wave Farm sculpture installation by Matt Bua.



Then three videos, not shot by Milutis, of Juan Matos Capote live at "DJ Mangoon Presents," at free103point9's Brooklyn studio at 338 Berry Street on December 5th, 2007. (Playing the DIY "Pink Oscillator," a circuit bent Omnichord and pedals.)





And Thick Wisps perform live in the Brooklyn free103point9 studio on 10-31-2007.

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Wednesday, January 02, 2008

Latitude/Longitude release 7" single with free103point9


Two new songs from electro-acoustic duo Latitude/Longitude (Michael Garofalo and Patrick McCarthy) are out now as part of free103point9’s Audio Dispatch Series.

On the A-Side, "Solar Filters," banjo and tenor guitar introduce the melody, which is picked up and echoed throughout by melodica. McCarthy’s mystic-cowboy vocals are sung through a contactmic’d banjo head, the strings, tuned to the notes of the song’s minimalist melody, resonating with each syllable. A stomping drum loop drives the song towards its climax of analog synthesizers and shortwave radio static (not sampled, but recorded as a performance, by tuning a radio while wandering around the studio).

The more textural B-side, "Mother Evening," features “found” lyrics taken from various random-text, spam emails. Pedal steel guitar creates a swarm-of-insects anxiety while prepared electric guitar weaves in and out of the vocal line and thumping floor tom.

Record release show with Zeke Healey and Brian Osborne Jan. 9 at Zebulon Cafe in Brooklyn, streamed live via Zebulon and free103point9 Online Radio. Michael Garofalo and Patrick McCarthy perform as Latitude/Longitude with diverse sonic materials: test oscillators, homemade cassette tapes and field recordings, radio transmissions (FM/AM/SW/CB), and toy electronics (broken and functional), as well as more traditional instruments, such as pedal steel guitar, banjo, mbira, and voice. "Solar Filters" and "Mother Evening" are featured on the single (free103point9 Audio Dispatch 031).

More information:
http://www.free103point9.org/dispatchseries/

If you're in New York, you can also pick up a copy at one of their upcoming shows:

1.9.08: L/L Record Release Show, Zebulon (w/Brian Osbourne, Zeke Healy). This show will be streamed live on free103point9 Online Radio.

1.25.08: The Knitting Factory's Old Office (w/The Dust Dive, H*E*R)

2.1.08: Eat Records (w/The Dust Dive). This show will be streamed live on free103point9 Online Radio.

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Tuesday, January 01, 2008

NMR Commission: "More of the Same" by LoVid


From Networked_Music_Review:
More of the Same by LoVid [Start slowly with 1; close each popup window before launching the next] - More of the Same extends LoVid’s investigation of electrical irregularities and human interactions. After it loads copies of a single sound sample, fissures in the digital veneer are explored as the spoken communication is played back repeatedly. Though each instantiation of the speech is identical, physical constraints affect the timing. This allows the nature of the medium to peek through the cracks in the voices.

More of the Same is a 2007 commission of New Radio and Performing Arts, Inc. for Networked_Music_Review. It was made possible with funding from the New York State Music Fund, established by the New York State Attorney General at Rockefeller Philanthropy Advisors.

BIOGRAPHY

LoVid (Tali Hinkis and Kyle Lapidus) overwhelms the senses with new media in their performances, videos, objects, and installations. LoVid has toured the US and Europe extensively performing, exhibiting, and lecturing at PS1, The Neuberger Museum, The Butler Institute of American Art , The Center for Contemporary Art Tel Aviv, Exit Art, Evolution Festival (UK), The Kitchen, RISD, Massachusetts College of Art, FACT, Kansas City Art Institute, Chicago Art Institute, University of Wisconsin, Futuresonic Festival (UK), The New Museum of Contemporary Art, Ocularis, and Institute of Contemporary Art London, among many others. LoVid has been artist in residence at Eyebeam, Harvestworks, iEAR, Alfred University, and Stevens Institute of Technology; and has received grants and awards from Turbulence.org, Experimental TV Center, NYSCA, Foundation for Contemporary Arts, and The Greenwall Foundation. LoVid is also a free103Point9 transmission artist.

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Sunday, December 30, 2007

free103point9 Top 40 for December 2007


free103point9 Online Radio Top 40 for December 2007

1. Todd Merrell + Aidan Baker + Patrick Jordan, Nagual (ArchivedCD 41)
2. The SB LP, (Qbico 54)
3. Stars Like Fleas, The Ken Burns Effect (Talitres)
4. Radio Ruido, "False Rosetta" 2x7" (free103point9 Audio Dispatch 032)
5. Latitude/Longitude, "Solar Filters/Mother Evening" 7" (free103point9 Audio Dispatch 031)
6. William Basinski, shortwavemusic (Musex International)
7. David Watson, Fingering an Idea (XI Records)
8. Annea Lockwood, Thousand Year Dreaming/Floating World (Pogus)
9. White Rainbow, Prism of Eternal Now (Kranky)
10. David S. Ware Quartet, Renunciation (Aum Fidelity)
11. Jeff Arnal + Dietrich Eichmann, LP (Broken Research)
12. Timeless Pulse Quintet, Timeless Pulse Quintet (Mutable)
13. Tatsuya Nakatani, Primal Communication (H&H)
14. The Peeesseye, Mayhem in the Mansion (Evolving Ear)
15. Charalambides, Likeness (Kranky)
16. Willing, Brotherhood of the Backwards Handshake (Evolving Ear)
17. Manpack, Sticky Wic (digitalis)
18. Cloudland Canyons, Silver Tongued Sisyphus (Kranky)
19. Phantom Limb & Bison, Phantom Limb & Bison (Evolving Ear)
20. Illuminea, Out of Our Mouths (High Two)
21. Scott Smallwood, Desert Winds: Six Windblown Sound Pieces and Other Works (Deep Listening)
22. Temperatures, Ymir (Heat Retention) LP
23. Scott Smallwood, Electrotherapy (Deep Listening)
24. Duane Pitre/Pilotram Ensemble, Organized Pitches Ocurring in Time (Important)
25. William Parker + Hamid Drake, First Communion/Piercing the Veil 2xCD (Aum Fidelity)
26. Mammal, Lonesome Drifter (Animal Disguise)
27. Robert Ashley, Now Eleanor's Idea (Lovely Music)
28. Ting Ting Jahe, 18(16) (Winds Measure Recordings)
29. Cadaver In Drag, Raw Child (Animal Disguise)
30. Various artists, Songs Most Likely to Succeed Class of 2007 (Radio One New Zealand)
31. Cabinet of Natural Curiosities, glass vs grass (jdw/conc)
32. Bruce Eisenbeil Sextet, Inner Constellation (Nemu)
Bruce Eisenbeil + Jean Cook + Nate Wooley + Aaron Ali Shaikh + Tom Abbs + Nasheet Waits.
33. Zavoloka, Viter (Kvitnu)
34. Normal, Love (High Two)
35. The Kevin Frenette 4, Connections (Fuller Street Music)
Kevin Frenette + Andy McWain + Todd Keating + Tatsuya Nakatani.
36. Various artists, Sweet Earth Flower: A tribute to Marion Brown (High Two)
37. Walter & Sabrina, We Sing for the Future (Danny Dark Records)
38. Shelf Life, Ductworks (Public Eyesore)
39. Garrett Phelan, Black Brain Radio (Ninepoint)
40. Basalt Fingers, Basalt Fingers (Three Lobed Recordings)
Ben Chasny, Elisa Ambrogio, and Brian Sullivan.

To submit CDs, LPs, CSs, etc. for consideration of airplay on free103point9 Online Radio, mail to:
free103point9
5622 Route 23
Acra, NY 12405

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Sunday, December 23, 2007

Sawako's crystal radio work


From Sawako's crystal radio page:
My first encounter with crystal radio is in the early 2000 when my friend introduced me Kenji Kobayashi's exhibition. At first, I have no idea what the relationship between a stone and a radio. Then, the fact that the radio without battery and using a stone to get the radio signal fascinates me immediately, and starts to think "I hope I can make the work using the crystal radio system in future. . . "

The chance come to the late 2006 when I got the notice that I am selected for the commission work opportunity by Roulette with funds provided by the Jerome Foundation. It lead to "ishi ~ listening stone", my first crystal radio work, premiered in Roulette in November 2007.

In 2008, the variation of the work will be released from unframed, the label which releases audio recordings and art multiples by sound artists. The work will be with more site specific elements, and we are planning to release as the limited 7-inch vinyl with the letterpress printing jacket and the small radio or radio stone.

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Monday, December 10, 2007

The Hypersonic Soundbeam

From Marcus Estes in WFMU Beware of the Blog:
After years of reading puff pieces about the coming of the "Hypersonic Soundbeam," a device designed to send targeted blasts of sound waves that can be heard only be selected recipients in an audio environment, it has apparently made its debut in the public sphere, right here in New York. As part of a billboard marketing campaign for a television show.

A&E has placed a billboard (on Prince St. between Mulberry and Mott) that shoots sound waves designed to resonate against your head, giving the passerby a distinct feeling that the advertisement is arising from within their skull. The television show is is about ghosts, so that means this is a witty kind of progressive marketing stunt and not just totally fucking creepy, right?

IRI Technologies, one of the many companies vending this device to the industry, highlights the invention's utility like so: "The Hypersonic Sound Waves travel silently through space, up to 300 feet away, then convert into an instant sound source whatever surface they impact. Amazingly, if you aim this magical device at a person, their head will become a speaker, and they will hear your message "inside" their head."

The patent owner of this little baby is an American Solo Maverick Inventor in the old model - he cooked this idea up and built a prototype without the help of a corporate research team. Woody Norris is, as an interview posted to his website will have you know, "no techno nerd." And he's humble about the source of his inspirations, observing that, "I didn't invent that [medical sonar imaging device]. It happens and I observed it. And so I claimed it. You know what inventing is -- I heard this from somebody else -- 'It's an accident observed."

So once you have "accidentally" invented this mind-sound-beam patent, what do you do with it? The advertising market seems to have been on his mind long before he brought this market. "To Norris's way of thinking, however, a shop with 100 confined spheres of sound is preferable to one where 12 speakers are blaring over each other." I guess that's the logic of the needle exchange as well: If they're going to be doing it anyway, we might as well keep it neat. Well, this new mind-wave billboard sure is neat, huh? Fuck, could we work on a way to just beam the whole TV show right into my skull as I'm walking past?

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Friday, December 07, 2007

R.I.P. Karlheinz Stockhausen

The composer Karlheinz Stockhausen died Wednesday, December 5 at his home in Germany at age 79. He composed 362 individually performable works, including his 1966 "Telemusik," an early influential transmission art work.

Composed in Tokyo in the electronic studio of Japanese Radio NHK. Stockhausen used shortwave radio transmissions to compose a work with which he wanted, "to take a step further in the direction of composing not ‘my’ music but a music of the whole Earth, of all countries and races." While Telemusik incorporates sounds from many countries including Japan, Sahara, Bali, Vietnam, China, the Amazons, Spain, and Hungary, Stockhausen does not consider this work to be a collage, but "Rather—through the process of intermodulation between old ‘found’ objects and new sound events which I made using modern electronic means—a higher unity is reached: a universality of past, present and future, of distant places and spaces: TELE-MUSIK." Telemusik consists of 32 structures (moments) incorporating shortwave radio transmissions. Additional equipment used for the realization of the electronic music was two beat frequency oscillators, three sine-wave generators, one delta generator, one function generator, one transposing tape recorder with a pilot frequency generator, two tape recorders, one amplitude modulator, two ring modulators, three high-pass and low-pass filters, one third-octave filter, one six-track tape recorder.

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Tuesday, November 27, 2007

Lecture to explore transmission art

From Westchester.com:
The Purchase College New Media program and the Neuberger Museum of Art are co-sponsoring a lecture by Tianna Kennedy and Tom Roe, founders of free103point9, a non-profit arts organization focused on establishing and cultivating the Transmission Art genre.

The lecture, which is free and open to the public, will be presented on December 5 at 6:30 p.m. in the Neuberger Museum. Kennedy and Roe will track the history of free103point9’s activities and define Transmission Art practices. Their talk will provide a foundation for audiences in anticipation of the upcoming “Off the Grid” exhibition at the Neuberger Museum, which will be co-curated by the Museum and free103point9. The exhibit will be on view from March 30 to July 1, 2008. Transmission art is generally a participatory live-art or time-based art, and often manifests as radio art, video art, light sculpture, installation and performance. This genre encompasses a diversity of practices and media working with the idea of transmission or the physical properties of the electromagnetic spectrum. Programs by free103point9 include public performances and exhibitions, an online radio station, the free103point9 Transmission Artists, an artist residency program, a distribution label, an education initiative, a sculpture garden, a study center, and an online archive.

The Off The Grid exhibition will assemble media works by contemporary artists making social and ecological responsible art. Installed inside the Neuberger Museum of Art and across the Purchase College campus, visitors will encounter installations that are non-regulated, fluid, and composed of accessible, sustainable materials, often incorporating participatory elements, which augment the works themselves. Purchase College, State University of New York, is located at 735 Anderson Hill Road, Purchase, N.Y. For more information, call 914-251-6100.

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Tuesday, November 13, 2007

OPEN CALL: Art's Birthday

Celebrating Art's Birthday is a tradition started by French Fluxus artist Robert Filliou who declared, on January 17, 1963, that Art had been born exactly 1,000,000 years ago when somebody dropped a dry sponge into a bucket of water. Throughout the last decades artists continued organising annual celebrations in the spirit of Filliou's "Eternal Network" or "La Fête permanente." In 2008 people all over the world will again be preparing numerous networked birthday parties for art, several of these under the motto "Forever Young."

Kunstradio invites you to join our celebration by contributing presents to our party, which will take place on site at Common Ground, QDK, Museumsquartier Q21 in Vienna from 8 p.m. on January 17, 2008. These presents we invite you to upload to our present pool online under
http://www.kunstradio.at/PROJECTS/AB2008/presents-upload.php

We will be listening in on your presents and streams during our party on site in Vienna, artists will re-mix and further distribute these online and via our live Kunstradio broadcast on the cultural channel on the Austrian National Radio Ö1 from 11 – 12 p.m. CET, as well as on the EBU satellite.

A selection of presents will also be presented in later on air editions of
Kunstradio. Should you have any questions or plan to organise a party yourself, please do not hesitate to contact us under: kunstradio@kunstradio.at Spread the word! This is a party you can bring as many people and presents as you wish! More about Art's Birthday can be found here: http://www.artsbirthday.net

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Thursday, July 26, 2007

OPEN CALL: Transmission Sculpture Garden

Artists are invited to submit proposals for the free103point9 Wave Farm Transmission Sculpture Garden. This is a three-part application process. The review panel will be comprised of members of free103point9’s staff and Advisory Board of distinguished artists, critics, and curators.
Submission Guidelines Phase I
Postmark Deadline September 30

Artists are encouraged to visit Wave Farm before submitting a proposal. See free103point9 Wave Farm for dates and details about upcoming events.

Artist Name:

Artist Contact Information:

Artist Resume / CV:

Artist Statement:
Please describe your artistic practice in a brief statement not exceeding 300 words.

Preliminary Project Description:
Please describe your proposed project in a brief statement not exceeding 500 words. Proposals selected by the review panel will be invited to submit a comprehensive proposal in order to assess feasibility based on installation schematics and program funding.

Past Project Work Samples:
Please include work samples relating to two or three past projects. Work samples should be submitted in electronic formats including jpegs, PDFs, QuickTime, MP3s, etc. Please do NOT submit slides.

Submission Address:
info@free103point9.org (subject: Transmission Sculpture Garden Proposal: Artist Name)
or
free103point9 Wave Farm
Transmission Sculpture Garden Proposals
5662 Route 23
Acra, NY 12405


Phase II
(Notification: October 31, 2007)

Up to five projects, selected in Phase I, will be invited to submit a second comprehensive proposal that includes detailed installation schematics and an itemized budget.

Phase III
(Notification: January 15, 2008)

Selected projects will either be scheduled for installation, funding permitting, or free103point9 will work with selected artists to secure project funding to enable installation at a future date.

The free103point9 Wave Farm Sculpture Garden is supported, in part, by The Andy Warhol Foundation for the Visual Arts, the Individual Artists and Electronic Media and Film Programs of the New York State Council on the Arts, a state agency; and the Greene County Legislature through the County Initiative Program, administered in Greene County by the Greene County Council on the Arts.

For more information see:
http://www.free103point9.org/sculpturegarden.php

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Wednesday, April 25, 2007

2007 AIRtime residents announced

free103point9 is pleased to announce our 2007 AIRtime residents.

31 Down (Benjamin Brown, Ryan Holsopple, Shannon Sindelar, Mirit Tal) (Brooklyn, New York)

"Dusk: The Sound of Bats," is a solar powered “bat detector.” The installation uses the high frequency radio transmissions of the bats living at Wave Farm as its subject matter. Bats emit sounds via echolocation, at typically two or three times higher pitch than that which the human ear can hear. Using an ultrasonic microphone paired with a customized scanning device, 31 Down will translate the bats' transmissions into audible frequencies.


Cross Current Resonance Transducer (LoVid: Tali Hinkis & Kyle Lapidus; Douglas Repetto) (New York, New York)

1) Data Collection Devices
An analysis of signals on the electromagnetic spectrum and telluric currents (signals in the earth) will inform CCRT's development of measurement device sculptures. These devices exist both as aesthetic objects and as functional monitoring mechanisms, which will enable data recordings used in future projects.
2) Bonding Energy
A web-based project commissioned by turbulence.org, "Bonding Energy" is a model system for distributed microenergy generation. The system suggests new ways of thinking about renewable resources and to address global warming and climate change.


Evidence (Stephan Moore, Scott Smallwood) (Troy, New York)

"Spheres of Influence (working title)" is a performance/installation of both live-performed and pre-recorded sounds being broadcast through a number of radio transmitters all tuned to identical (or nearly-identical) frequencies. The audience is equipped with radio receivers, and then encouraged to explore the points of “indecision” that exist between the various transmitters. In this way, each audience member participates in the composition/editing of the final piece by performing the interplay between our broadcasted material and the indeterminate artifacts of the transmission/reception process inherent in the installation.


Sarah Kanouse (Murphysboro, Illinois)

With “Driving East Through Indian Country” Kanouse addresses historical and contemporary mobility through the routes and histories of European settlement and Indian removal, the ways this early history of (re)settlement is commemorated via monuments and museums, and contemporary discourse on (im)migration. Her upstate iteration of the project will focus on the territory related to the Cherry Valley Massacre of 1778 and the retributive Sullivan Expedition of 1779. Among the project components is a public road trip including an FM broadcast of real-time, gps triggered audio content.


Raphael Lyon (Providence, Rhode Island)

Lyon's "Dark Cinema" project is a performance/lecture which argues that the narrative codes which achieve the immersive cinematic illusion of "being there" in a traditional narrative film were never fully developed for radio. Through the articulation of his "Dark Cinema" theory, and a "Dogma-95" styled call for "Dark Cinema" works, Lyon hopes to activate new projects considering the radio narrative in pioneering and effective ways.


Kenta Nagai (Brooklyn, New York)

"Me & Gretel" is an interactive media installation constructed with Lego block speaker enclosures, microphones, television monitors, and hidden surveillance cameras. Viewers' movements inside the installation are transmitted to the monitors and speakers. In "Me & Gretel" the viewer's presence becomes intertwined with elements from disassembled international folktales, myths, and oral histories collected and represented by Nagai to create new personal traditions.


neuroTransmitter (Angel Nevarez, Valerie Tevere) (Brooklyn, New York)

"The FM Ferry Experiment" is a weeklong mobile radio project to be held on the Staten Island Ferry during the Fall of 2007. In cooperation with the New York City Department of Transportation and the FM signal of WSIA-FM, this project will transform the ferry into a floating radio station, continually traveling between Lower Manhattan and Staten Island. nT will construct the modular components of "The FM Ferry Experiment" radio station during their AIRtime residency.


Marisa Olson (Brooklyn, New York)

Olson will conduct research using the Wave Farm Study Center collections on the history of the use of broadcast and recorded media in protest to inform her forthcoming projects including a multimedia monologue performance about pop music and political activism, called "Rappers Vs. Rockers," and a dramatization of “gonzo journalist” Hunter S. Thompson’s suicide note, which he entitled "Football Season Is Over."


Shawn Onsgard (Brooklyn, New York)

“Local Time” is a radio-percussion music event for large outdoor spaces. In this piece, performers position themselves dynamically in the geography to adjust and synchronize composed musical time structures across great distances with each other and with audible qualities implicit to the site such as echo, reverb
decay, or unintended environmental sounds. In addition to acoustic musical instruments such as claves, bull roars, hand drums, switches and other items that produce sounds capable of carrying long distances; each performer is also equipped with a wireless microphone transmitting their acoustic sounds to a radio receiver/audio amplifier located with the audience.


John Roach & James Rouvelle (Brooklyn, New York)

In "Trailhead" Roach and Rouvelle set out to map Wave Farm. Using separate trajectories and mapping strategies, the artists maintain communication during their explorations via transmitters. Ephemera gathered during their investigations and actions in the form of audio, gps, and drawings will construct an online map of the Wave Farm grounds. Collaborators will contribute additional mapping elements including spoken word, video, and photographs.

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Friday, March 16, 2007

OPEN CALL: Wave Farm Transmission Sculpture Garden


(Early prototype for Jeff Feddersen's "EarthSpeaker," pictured at left at Wave Farm.)

The Wave Farm Transmission Sculpture Garden provides a unique opportunity for artists to conceive of and realize a long-term outdoor transmission-based installation open to the public in a retreat-like rural setting. Artists are invited to submit proposals for sculptural works that incorporate the transmission spectrum in concept or practice. Artists are encouraged to consider recycled materials in their work and utilize renewable energy sources (if power is required). Works will be installed within the 15-acre evergreen forest, situated throughout already the established walking paths, at Wave Farm.

Coinciding with free103point9's tenth anniversary celebration, free103point9's Transmission Sculpture Garden will open summer 2007, with inaugural installations by Jeff Feddersen and Matt Bua.


Jeff Feddersen: EarthSpeaker
EarthSpeaker is an installation of multiple units of an outdoor sonic sculpture. Each unit is a large, solar-powered, electro-acoustic speaker, which absorbs sunlight during the day and emits low frequency sounds at dusk.


Matt Bua: Sing Sun - Room
Sing Sun - Room is a customized extension built onto an existing mobile home located on the Wave Farm property. This gazebo-like structure harnesses natural elements
(wind, water, and solar) to create a site-specific installation where live-sound is composed based on the surrounding environmental conditions.


CALL FOR SUBMISSIONS

Artists are invited to submit proposals for the free103point9 Wave Farm Transmission Sculpture Garden.

This is a two-part application process. Projects selected in Part I will be invited to submit a second comprehensive proposal that includes detailed installation schematics and an itemized budget. The review panel will be comprised of members of free103point9's staff and Advisory Board of distinguished artists, critics, and curators. The deadline for submissions is rolling.

Submission Guidelines (Part I):

Artists are encouraged to visit Wave Farm before submitting a proposal. Visit free103point9 Wave Farm (www.wavefarm.org) for dates and details about upcoming events.

Artist Name:

Artist Contact Information:

Artist Resume / CV:

Artist Statement:
Please describe your artistic practice in a brief statement not exceeding 300 words.

Preliminary Project Description:
Please describe your proposed project in a brief statement not exceeding 500 words. Proposals selected by the review panel will be invited to submit a comprehensive proposal in order to assess feasibility based on installation schematics
and program funding.

Past Project Work Samples:
Please include work samples relating to two or three past projects. Work samples should be submitted in electronic formats including jpegs, PDFs, QuickTime, MP3s, etc. Please do NOT submit slides.

Submission Address:
info@free103point9.org (subject: Transmission Sculpture Garden Proposal: Artist Name)
or
free103point9 Wave Farm
Transmission Sculpture Garden Proposals
5662 Route 23
Acra, NY 12405

The free103point9 Wave Farm Sculpture Garden is supported, in part, by The Andy Warhol Foundation for the Visual Arts, the Individual Artists and Electronic Media and Film Programs of the New York State Council on the Arts, a state agency; and the
Greene County Legislature through the County Initiative Program, administered in Greene County by the Greene County Council on the Arts.

For more information see:
http://www.free103point9.org/sculpturegarden.php

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